3.31.2008

Choreographer's Carnival, Opportunities for New Media

This past Wednesday, as an intern at a dance talent agency, I was lucky enough to be able to go VIP to Hollywood's monthly Choreographer's Carnival that's held on Sunset Boulevard at the Key Club. This post will describe the amazing experience of Carnival and how technology could be further utilized to promote it.

Going to Carnival is a great learning experience for me, featuring new work by professional dance choreographers, producers, directors, and dancers. As a prospective business person or creative production force of the dance industry, steady exposure to Carnival is invaluable.

Here's a little about Carnival from their website just to introduce you to it if you've never heard of it: "Carnival started eight and a half years ago to give working choreographers and dancers a venue where they can have free artistic expression without the constraints of an artist, a director, or a script. Carnival is an event where it features not only choreographers from the film and video industries, but from all over the world: -Paris, Japan, New York, Las Vegas, Texas, Florida, and many more... Where else can you see a show that highlights not only hip hop but ballet, funk, lyrical, tap, modern, performance art, and spoken word? Only at the Carnival, whre you get more dance for your dollar."

Here are a couple performances from last week's Carnival:



I appreciate many things about Carnival and what it does for the dance industry:
  1. Increases exposure of dancers and choreographer's work to a more popular, mainstream audience
  2. Provides a place for the dance community to meet and thrive
  3. Allows professionals in the dance industry to see new and promising talent
  4. Offers a welcoming, free space for artists in the dance world to showcase their work
  5. Puts on a legit dance show monthly in the heart of Hollywood

On the flip side, there are some issues Carnival creates that doesn't support a thriving industry:
  1. Dancers and choreographers aren't paid for their work (The Key Club must be making outrageous profits)
  2. Time and effort spent to present this work unpaid detracts from valued professionalism, open scheduling, and quality of paid, industry jobs
  3. It seems about 90% of the view of the stage are obstructed, which detracts from viewers' experience
  4. Past Carnival performances are never revisited for monetization purposes

Carnival could:
  1. Create a better website with online purchasing options where one could download a high quality video of a particular performance for an affordable rate. This would decrease the amount of piracy and free downloading of Carnival performances on YouTube
  2. Collect tips for dancers on site and distribute funds accordingly (although the reason The Key Club is avoiding this is probably so that people spend all their money on drinks at the club)
  3. Build a social networking site where scheduling and communication is mainstream and made available to all the necessary people. This could even extend to a dancer's agency where they could align schedules and check for availability of a particular client based on Carnival.
  4. Create a yearly DVD of "The Best of Carnival" with different editions for different cities. All could be sold together as a box set. It could even be offered through Netflix or as On Demand on Digital Cable
  5. Make that DVD release in 3D theaters around the country for wider distribution
  6. Revolutionize the dance industry by somehow making the show a 3D live event in theaters on a monthly basis. It would become the national event of the tightly knit and ever-growing dance community

All in all, Carnival is offering a great service to many dancers and choreographers. It's increasing publicity and legitimacy for an industry that hardly gets the credit it deserves. However, it could do so much more to maximize the influx of cash from producing and performing a monthly show. By taking advantage of the long tail on the internet, as well as new media like 3D live action films, Carnival could propel the dance industry into a full fledged, well paying entertainment industry instead of a group of struggling, undervalued artists.

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